Saturday, January 11, 2014

Movie Review: Dedh Ishqiya

Release date: 10th Jan 2014
Director: Abhishek Chaubey
Rating: 4/5

It's unfortunate that the Saifai controversy has taken some sheen off the release of this brilliant work of art. For apart from the moral faux pas allegedly committed by the stars, there is little else to find fault with.

A review for a sequel (or a quasi stage for a sequel with the 1.5) would merit one to compare it to its predecessor. I remember the first one was a lovely entertainer in totality. Yet, apart from a dialogue or few, I have little recollection of the finer nuances of the movie - which is saying something considering just last night I was able to guess a rather old song from its first few notes and sing along, and it goes thus, "Chudi mazaa na degi... kangan mazaa na dega".

I must assure you that Dedh Ishqiya aapko zaroor mazaa degi. Betahasha mazaa. The mellifluous Urdu delivered by none other than the finest actors of our age Naseeruddin Shah have to rub off on its audience. It would help to know that the movie is extremely heavy on its Hindi and Urdu. But people who don't have Hindi as their mother tongue need not worry. We, the native Hindi speakers don't get a lot of it either. Hence, the filmmakers have been gracious to provide english subtitles. Distracting at times, but useful at most others.

Ok, so where do we start. The performances are exquisite. Everybody from the loud-mouth ruffian Arshad Warsi, the rather grey Huma Qureshi to the lanky, wannabe 'Nawab' Vijay Raaz delivers a very convincing performance. And then we come to good ol' Madhuri. Literally. There is no doubt age has started to show on her - the botox isn't helping, neither is the loud makeup. Yet grace does not wear away with age.

And this role was handcrafted for her. There are small dance sequences where you realize no other leading lady in Bollyland could have pulled this off. There are moments of romance between the aged Naseer and ageing Madhuri when there is no physicality, no words, hardly any music, yet the passion and longing is so intense, it makes your heart cringe.

The visuals are astute - the kind which make even cramped streets, ransacked dungeons and trash piles look wonderfully aesthetic. The dialogues are almost entirely in verse. There is so much in there for the die-hard romantics. Pick-up lines that you could only dream of coming up with. Exhortations of love that ricochet off your mind, your heart, your guts and well out from the eyes. And a special mention to those fine moments when Madhuri endearingly calls out Naseer by his name, almost killing him with fulfilment. "Iftekhar!", she utters. And you, in the audience, are swooning and wishing you were called that.

Well, I hope there are further instalments to this. I hope the Dedh is an indication of the Do to come. I hope our two vagabonds are back with another muse.

Sunday, January 5, 2014

The Wolf of Wall Street: the Ad Hominem fallacy

I saw the Wolf of Wall Street this weekend. No surprises there. I believe almost everyone who is one or has kids whose coming years could be scarred by the sequences in the movie did.

Firstly, the movie release in India was delayed - something that has become less frequent of late. Then, I did not get the opportunity to watch the movie on Friday night itself. Evidently, by the time I set foot in the movie hall, my expectations were as tall as Deepika Padukone's legs. A tinge of disappointment was hard to avoid even though I found it to be a very fine work, rife with flamboyance, and delivered in rather astute fashion.

However, there was little about it that blew your mind, in my view. Interestingly, if one were to tell me to comment on a expectations vs. delivery chart, I found a lot of similarities in the output of the movie in question, and another much-awaited series bit from 'Sherlock' which came out almost at the same time as well. Both the pieces were carved out to deliver a spectacle, prove that the creators are not just unafraid of deviating from the usual but take great pains to do that, all the while paying little heed to the narrative.

They are part of the ilk of things wherein if you don't like them, it is assumed that you could not understand the profundity of what the creator was trying to convey. It's always like, "Did you see the the incline of the shadow of the third leaf in the fourth tree in the last scene? What, no? Well, it was in the direction of the 4 o'clock hand in a clock which is precisely when some obscure freedom movement zillions of years ago started! Gosh, how exhilarating!"

Ok, seriously, for those of you who have read the likes of Shakespeare in school/college or, in a context more related to this post, saw the 'intellectually loaded' movies, have you not ever felt that a lot of interpretations of movie visuals, sounds, camera angles, merely a concoction of vastly idle (albeit creative) minds in the audience? Just because these people were great thinkers implies every work of theirs will have layers of meanings that the aam aadmis will then take years to unravel.

Take for instance this review of WoWS, in no less a publication than the New Yorker. Now this guy has this pretty convincing opinion on how Scorsese played a masterstroke in the last scene of the movie by showing the blank faces of the audience, in the process letting the movie audience see a reflection of themselves in awe of the filthy rich, sleazy druggy Mr. Belfort. A rather haunting observation. I have no reasons to say this was not the case. But what if all Mr.Scorsese said was, "Oye chote, camera angle peeche leja. Fufaji ke bacchon ko screen pe dikhna hai."

Well, I am sure Farah Khan showed scenes of the audience watching 'Om Shanti Om' in sequences of the movie 'Om Shanti Om'. I am sure there were people in there going 'Dafuq just happened!'. No one ever said, "See, the audience is being presented a reflection of themselves".

The same with Sherlock, and innumerable other texts, poems, movies in the recent, long back and ancient history. All these writers (and I respect a whole bunch of them for their exquisite words) have at times received undue credit just because someone reading their verses, hundreds of years after they were written, took his creativity a step further, eked out some outlandish derivative of the author's words and exclaimed, "So ahead of his time, bro. So very ahead."

In this category, my favourite is that guy who wrote this beaten to death story titled, "The Lady or the Tiger". That lazy ass thought up this ingenious scheme of free-riding and leaving the conclusion to the reader. More than a century later, poor Indian kids are wondering why the tiger did not gulp up the author himself.

There are times when I believe that a all a lot of people in the world need to is relax. Not make too much of things, because well some things just happen, some people just say stuff or write stuff just because.

Sit back. Enjoy. Get up and, like always, go back to work tomorrow. At times, life and all that there is to it is rather ordinary. And that is perfectly OK!

Sunday, December 15, 2013

A Job Half Done

Their first conversation had few words,
But seasoned it was with measured laughter.
They agreed the tea was good, and the weather pleasant,
And decided to meet the weekend after.

He worked his beard a tad carefully that morning,
And bought her a chocolate on the way.
The laughter was louder, the exchanges friendlier,
They both chimed it had been a lovely day.

He loved her big eyes, and the twinkle in them,
She giggled at his occasional flirt.
Their phones had little time to breathe,
Of things to share, there was never any dearth.

With relentless passion, he went about his days,
She confessed she really liked that too.
He talked ardently of music, but little did she know,
His affections were clinging to a subject new.

Months passed, and their lives went by,
Frequent, they remained, their meetings.
He listened to her, and searched for hints,
But, well, one is never sure of these things.

His patience gave way, and on a casual walk,
He bravely laid bare his aching heart.
All the feelings lay strewn, awash with dismay,
For Cupid had but played half his part.

Monday, December 9, 2013

Why Ranbir Kapoor should not be allowed to marry Katrina Kaif

I am sure this topic or its like has been written about, and for a moment I thought I must check and avoid redundancy, if it be. Yet, if one starts going by that logic, writing would become really tough or rather impossible because people these days write about everything. So I passed.

I will begin by giving credit where it is due. The genesis of this 'theory' lies in a light hearted conversation which transpired as we sat staring at the idiot box, and nibbling at what was left of the 'chicken lollipop', in our living room. The exponent happens to be our newly joined flat-mate, who we shall call Newton, because, as you will come to understand, what he said might be far more critical than the knowledge of F = m.a.

Our friend Newton seemed to be having a quiet, happy meal till he abruptly stopped in the middle of a noodle, and uttered these fateful words... 

"Ranbir Kapoor should not be allowed to marry Katrina Kaif."

(which, thanks to lack of creativity is also the title of this post)

Though, for a flurry of different reasons, we agreed with his premise, being products of a generation spurred to be curious by the likes of Arnab Goswami Albert Einstein, we asked, "Why so?".

This is the point where I shift from the narrative to the descriptive, and would demand complete attention of the reader to a theory, the non-acceptance of which could have drastically hurtful socio-cultural consequences.

Assumptions
1. If one has read H.G.Wells' Time Machine and those of its ilk, mankind or author-kind has always feared a dystopian society wherein the class-divide has reached gigantic proportions. That, invariably, leads to bitter resentment and an ultimate clash and an end of the world as the society of that time knows it. We shall assume we DO NOT want to push our world to such a state.

2. We will assume Ranbir Kapoor and Katrina Kaif to be "good-looking" to the way above average extent. And limit our perception of the individual to that of physical beauty.

Clause:
It is often seen that people of equal beauty or the lack of it (strictly by the rules of the world) end up engaging with each other, and eventually marry, have kids and all that jazz. Now, we remain concerned with this system.

Without wasting my time with more words, I will explain this with the help of pictorial representations.



See what this is leading to? Weirdly lumped pockets of extremely high and low entropy. Things will, eventually, shriek and call out for equilibrium, or annihilation. It will be a brutal war - and mind you, the mascara pencil is not mightier than the sword. 

There is still time. The rules must be laid.

Suggested solution
I am certain there are standard beauty metrics which have been designed by jobless driven purveyors of science. So, use them. Form a world governing council and hand them the task of being judges. When children reach the age of, say, fourteen, they must be presented to the council and rated on a scale of 0-10 (also called the Rakhi-Jolie scale). Fourteen, well, because if one can look beautiful at the onset of puberty, they must be asked no questions.

Then order by decree that no nuptial knots shall violate a sum of 15. Problem solved. In a few years, everyone will have one less thing to worry about. 

No Troy shall burn for Helen!

Saturday, December 7, 2013

Movie Review: The Hunger Games - Catching Fire

Release date: 6th Dec 2013 (India)
Director: Gary Ross
Rating: 3.75/5

Movies like these are tough to review. For starters, the team behind the movie cannot be blamed for content/storyline, as almost all of that was taken care of by the book this is based on. Secondly, this being the second movie in the franchise, one is constantly looking to benchmark this with the first part and hoping to be pleasantly surprised. And in this case, the makers had a tough act to follow.

They did a fine job of it. Stories of dystopian socieities, an unexpected hero creating a stir, and a subsequent mass uprising are not new to any of us. The fundamental storyline has never been the basis of the success of the Hunger Games franchise. Yet, the movie manages to hold your attention with edge-of-the-seat adventures, choreographed and shot exceedingly well. All this without the 3D label that has becoming a 'given' in action movies of late, and more often than not adds zero value and more eye torture. Undoubtedly, there are moments when the constant flux of life-threatening elements, the deviousness of the game's creators gets to you, but then again, as stated earlier, that cannot be blamed on the movie per se.

The performance of the central characters remains a highlight of the movie, yet again. Jennifer Lawrence (Katniss Everdeen) and Josh Hutcherson (Peter) do a brilliant job of bringing to life a rather uncharacteristic love story. Lawrence, in particular, pulls off another fine act morphing effortlessly from an astute archer, a fearless woman to a poor girl worried for her family, from a heartless participant to a girl unable to understand her own feelings of love - both the direction and magnitude of it (Bah! who knew it was a vector!). Meanwhile, it's fascinating how the kid from the 2005 'Little Manhattan' has turned out to be a fine young man, finally coming out of his streak of unrequited love.

For people who liked the first part, it is time to get tickets to this one. The thrilling sequences, Katniss' fiery dresses, her ability to look ravishing in the most un-glamorous of roles, the brilliantly crafted sets - make for a fascinating two hours and more.

And with that I sign off.

Sunday, November 10, 2013

Short story: Helping hands

Although the most cherished day of the week for most people, Sunday never managed to cheer Omi up. The prospect of returning to work the following day seemed to drain the enthusiasm out of him.  It was tough to blame him. A gut-wrenchingly monotonous drone, it was, his routine on weekdays. Being in a rut was not Omi’s concern, though. He was not one who craved for adventure or excitement, nay, not even a bit.

It was on one such Sunday afternoon that Omi received a call from his old-time friend Kabir. After mustering the energy to extricate the phone from a pile of clothes, Omi channeled the rest in sounding sociable enough.

“Hello!”, he shouted.

“Boys! Guess what, I am getting married.”, Kabir animatedly spelled out in one single breath.

Considering the innumerable wedding invites- some earnest, some not so much- that he had received of late, and the never ending stream of gawd-we’re-so-happy honeymoon pictures on his Facebook, this should not have come as a shock to Omi. Yet another friend taking the bait, right? This, however, seemed different. Omi knew Kabir from school, and when one doesn’t meet their school friends too often after their paths diverge, the image of the school bag carrying, puberty stricken teenager is hard to shake off.

After a few incomprehensible mutterings which might have loosely translated to ‘Wow!’ in some east African dialect, Omi let out a joyous “Congrats!”. He was, really was, delighted for his friend, especially as Kabir’s excitement was almost abrasively palpable even with the hundreds of kilometres separating them. 

Kabir had left a lucrative job and stationed himself in a small village close to his native place where he co-managed an NGO which was trying to promote education for the girl-child. His co-manager, it turned out, was the one he was entering into companionship with. And with the cause-driven couple, Omi was not entirely surprised when Kabir announced that the wedding would be held in the same village as per his to-be’s wishes; “brimming with tradition”, as Kabir had put it.

“Aha! Destination wedding.”, Omi jibed, eliciting a flurry of expletives from the other end.

“How do I reach there?”, Omi followed it up with another question. 

“Ok! So the roads are rather intractable. There is only one train from Delhi…”, Kabir paused, “… which passes by the village station. It slows down a trifle, so you can jump off and that’s that.”. Kabir had to wait longer than usual for a reply.

“You’ve got to be kidding me”, was all Omi could manage.

At this juncture, it is only meet that we get to know a bit more about Omi, and why this rather doable action plan seemed so preposterous to him. Omi was not immensely athletic. Well, perhaps, that is putting it too mildly. His always-ready-to-fall glasses, well-rounded paunch and uncannily slow reflexes made sure he excused himself from any activity that required more physical rigour than one’s morning chores.

“Well, you’ve got to move your vegetable self for this!”, the other end of the line shot back. Meanwhile, Omi was busy trying to think of alternatives - pulling the chain seemed to be one.

“Don’t even think about pulling the chain.”, Kabir continued, almost mysteriously reading Omi’s mind. “It is a small station but, for some reason, has a lot of police. They will harass you no end with questions and are even more suspicious of city lads like you. It’s no big deal. Get off as soon as the platform starts. As mentioned it is a short strip, and has a bridge adjoining so there is no getting off after the train crosses the station, where it picks up speed quickly too.”

“Oh well! Exactly what I wanted to hear.”, Omi shot back. Then he realized it was better not to spoil the moment any further, and with a dangerously sharp twist in tone, said, “I will manage.”. Kabir let out a few exultations of joy and hung up, crazily blabbering about the zillion calls he still had to make with little time at hand.

Soon after, Omi immersed himself in booking a ticket on the train Kabir had mentioned. A part of him was excited, for the wedding of course, and he could not help but feel a tad thrilled about his impending adventure. Yes, one must reiterate that his routine had turned extremely dull.

He spent the next few days finishing off work at office, getting his own clothes and a suitable gift for the couple to-be. And before long, the day of the journey had arrived. 

The train was supposed to cross village Dhawarval at 3 pm, which just gave him less than two hours to get dressed and make himself available for the ceremony. The journey was rather uneventful during the initial part. However, Mr. Murphy seemed to have woken up  from his slumber and stirred into action during the second half. 

With a hundred kilometres left, the train halted abruptly. Looking out of the windows, there seemed to be no station in sight. The murmur within the passengers paused with the appearance of the ticket teller. “There is a small group of farmers protesting on the tracks. So, we are in for a slight delay”. A collective sigh of dismay shot through the compartment as the teller hurried away before further questions were doled out to him. 

Omi instinctively began his tete-a-tete with the almighty beseeching him to keep the delay to the minimum. To his own surprise, he gathered himself rather quickly, and thought it might be a good idea to talk to a few of his co-passengers, hoping some of them might be regulars and may be able to comfort him about his plan of action. Thinking so, he cleared his throat, perhaps a bit too loudly.

As he already had the attention of the travellers in his vicinity, he passed a sheepish smile and introduced himself. He received a few nods in return but little response otherwise. He continued anyway and talked about how he was supposed to get off at the village station, and was not entirely looking forward to the same. Here, almost as if on cue, a young portly man with an amusingly wavy moustache jumped into the conversation.

“Oh! That is no big deal, sir. The village folk do this all the time. Caution is always recommended, for a first timer, surely. I will help you, if you so wish.”, he spoke without pause, the excitement in his voice almost making him sound delirious. Somehow, the offer of help from a self-proclaimed veteran seemed to comfort Omi who replied he would be happy to have help. The feeling of comfort suddenly spread itself across the compartment as the train began to chug, and within a few seconds, they were rattling along to their destination again.

With the renewed chatter, it was not too long before they entered a vast tract of arid land which lay right before the Dhawarval platform. Omi’s new found well-wisher indicated that he should ready his belongings and position himself at the door. “Timing is key, my friend”, he quipped and laughed raucously as he saw Omi’s face tense up. Now, both of them moved to the nearest door. It was a curious sight - vast expanse of land with no habitation whatsoever, trees few and far in between, and the abrupt appearance of a stray animal from time to time. Looking out made Omi feel dizzy though, so he turned back and exchanged smiles with his stranger-turned-saviour.

Seeing Omi’s anxiety, a few more passengers had joined in to pep him up. The platform was now in sight and the train had slowed down considerably as Omi readied himself like a man on the battlefront. His fellow lay a comforting hand on his shoulder, and when the time approached, blurted, “Now!”. Omi lurched forward without much delay as the on-lookers beholded the sight with bated breath.

“Keep running and sustain the momentum or you will fall”, he remembered from his textbooks in school. They also advised against jumping off moving vehicles, but that ship had sailed already. Admirably, Omi landed with precision and maintained his running step with amazing dexterity. His co-passenger broke into a brief applause which Omi gratefully acknowledged by waving and letting out little shouts. The train was steadily gathering speed now. Omi, out of sheer excitement, was still running, with a trolley bag in tow and one hand in the air, partly waving and partly celebrating the success of his endeavour. A few hours from now he will be all dressed up and dancing at Kabir’s wedding.

Wait, who was this grabbing his shoulder? He looked up in alarm and saw two men leaning out of the hastily speeding train. They had steady hands, and he was now stuttering along, his resistance to their pull paling every second. The men had innocent smiles and one of them kept shouting, “Don’t worry, sir. You city folk, I tell you. We do this all the time. Take a big stride forward and jump in”. Omi’s bewilderment had turned him into a brick. His momentum and the men’s gigantic grip was now pulling him aboard the train. 

“Careful, you will get caught in the gap.”, one of them shrieked. Omi woke up from his daze to move his feet off the gap, and, with little choice, onto the train’s risen pedestal. With one last pull, the group of men got him onboard. A cackle ran through the group, with innocuous jibes about how the city’s comforts makes pansies out of men.

Omi stood staring at them blankly. As the train hurried onto a bridge overlooking an aberration of a rivulet in the midst of the parched land, irony seemed to be pervading across the elements. 




Monday, November 4, 2013

Diwali nahi, woh wali

Here again is the festival of lights,
Of sweet somethings, and sparkling nights.
Of walls repainted with gleaming whites,
Not to forget, the annoying cacophony and drunken fights.

It starts with maddening crowds,
And ends with it too.
“I merely want a lamp, sir”,
“Duh! Get back in the queue.”

“Knock! Knock!”, “Who’s there?”,
Friends with a gift of little use.
No time to talk, we’ll see you next year, 
“Gee! Thanks for the exceedingly tacky hues”.

Buy new vessels today and vehicles tomorrow,
Makes sense to follow the customs staunch.
Carefully pop one laddoo in your mouth,
While you rest the other four on your paunch.

You say the festival brings joy to everyone,
Have you seen your shivering Dog?
Cared about the harried traffic policeman,
Or the sweeper clearing the litter, amid the settling smog.

Back came this year the festival of light,
Of half-understood rituals and customs trite.
Let not the festive spirit rot away with blight,

Fill it while you can with kind deeds, and faces bright.