Director: Abhishek Chaubey
Rating: 4.25/5
Hardly does a movie come with the burden of expectations that Udta Punjab carried on its shoulders. And though this might not be counted among the greats, it is definitely a movie that will be remembered for some time to come. A well knit plot, rock solid performances, hard-hitting sequences and a very vivid message - Udta Punjab is more a well-done project than a film-maker's creative whim.
The story revolves around the lives of four young individuals - eventually melting into each other, thanks to the drug menace in Punjab. A drug-crazed pop star, a Bihari immigrant girl who unwittingly falls in a drug trap, an ordinary policeman who resolves to fight the system from the inside and a doctor specializing in rehabilitation who becomes his aide.
Abhishek Chaubey, with the likes of Ishqiya & Dedh Ishqiya under his directorial belt (and a slew of others as a writer), does a fantastic job of bringing alive the Punjabi heartland. There are characters and episodes thrown here and there who are very believable, and even manage to evoke a few laughs in an otherwise dark subject - without being over the top (SRK in Rab ne bana di Jodi is what I call 'over the top').
The performances of the four leads are immensely commendable. Shahid amazes once again with a maniacal portrayal of Tommy Singh. His roles in Kaminey, Haider and now in this movie show how he can bring his mad-game on - a persona that is quite in contrast to his real life image. Alia delivers another gem and it is beyond brilliant how she pulls off this pitiable, de-glam role with as much elan as she jives with to 'Saturday Saturday' and 'Chull'. Diljit and Kareena's portrayal is as heart-warming as their story in the movie, and one can only hope we see the pair in an out and out romance sometime soon.
It's remarkable how some of the new age directors are able to sketch characters not as much through episodes/ incidents but through long sequences of them reflecting in their loneliness. This helps a lot in the way one connects with the turmoil going through the head of both Tommy and Alia.
All this is superbly complimented by a fabulous background score. Amit Trivedi's compositions are mesmerizing as always. From the trance beats of Udta Punjab, the playfulness of Da da dasse to the soulfulness of Ik Kudi, his music is as contextual as it can be without losing his trademark flavour.
Hats off to everyone in this movie for handling such a controversial issue and doing it successfully.